Does PR still have a role in the modern release strategy?
In a world of pre-saves, Discord, playlist pitching, and direct to fan marketing, does PR still have a valuable role to play?
In a world of pre-saves, Discord, playlist pitching, and direct to fan marketing, does PR still have a valuable role to play?
Jusnah Gadi is Founder and Head of Legal at Young Music Boss, and the pioneer behind the Young Music Boss Awards. She is passionate about empowering people with knowledge, creating opportunities and driving change. Jusnah shares her story of entrepreneurship, international influence and unashamedly provoking change in conversation with Amy Oldham.
The new normal is far from easy. Festivals take large risks on talent and on fan demand, and post-pandemic fans are buying much later. Kate takes us through the challenges facing festivals in the ‘new normal’.
Once upon a time, album art could be the first impression of an aritst or an album. The CD offered less space for creativity, and digital doesn’t leave much space at all! Andy from Sizzler talks about the future of album artwork.
In a world of information overload, festivals offer an escape and a reprive. But the commercials are tough, the community far reaching and diverse, and expectations are sky high. How do you keep costs fair, book talent that’s epic and provide and honour a community of loyal fans? Jamie takes us through his experiences, in conversation with Sarah Jones from Songkick.
Innvation takes many forms. Tech gets a lot of attention, but seeing others working smarter can sparks your own ideas. This year we’re giving 45 minutes to people innovating in interesting ways.
While the pop side of the live music industry is reporting a record year, how is the dance scene recovering?
European touring has become more complicated since Brexit, but there is money to be made! James guides an expert panel through the best (and worst) ways to make money on the continent.
Who takes responsibility for ensuring that tickets – as well as venues are accessible? And that only people entitled to accessible seating do gain access? Understandably frustrated by the lack of consitency when buying tickets, and often the need to call the venue rather than book online, and explaining youself over and over again, Craig set out to make ticket buying efficient and effective for people with a range of disabilites.
With a career spanning 5 decades, there is a lot to talk about with legendary event producer Harvey Goldsmith, CBE! This conversation will look back to the early stages of Harvey’s career, how Live Aid came about and how live music has evolved. We will then cast a critical eye over the modern industry as it stands, considering new challenges particularly the post-pandemic changes in consumer buying behaviour (buying late) changing drinking culture (drinking lots less) and industry ticketing practises that take more money from fans for the top handful of acts, combined with low revenue at the grass roots venue level, and in the mid-market. Anticipate an unvarnished perspective on the way things are, with plenty of time for audience questions.