Sessions

A ticket for everyone: Accessible ticketing

Who takes responsibility for ensuring that tickets – as well as venues are accessible? And that only people entitled to accessible seating do gain access? Understandably frustrated by the lack of consitency when buying tickets, and often the need to call the venue rather than book online, and explaining youself over and over again, Craig set out to make ticket buying efficient and effective for people with a range of disabilites.

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Life lessons; in conversation with Harvey Goldsmith, CBE

With a career spanning 5 decades, there is a lot to talk about with legendary event producer Harvey Goldsmith, CBE! This conversation will look back to the early stages of Harvey’s career, how Live Aid came about and how live music has evolved. We will then cast a critical eye over the modern industry as it stands, considering new challenges particularly the post-pandemic changes in consumer buying behaviour (buying late) changing drinking culture (drinking lots less) and industry ticketing practises that take more money from fans for the top handful of acts, combined with low revenue at the grass roots venue level, and in the mid-market. Anticipate an unvarnished perspective on the way things are, with plenty of time for audience questions.

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Whose responsibility is it to save grassroots music venues?

Its widely accepted that the boom at the top end of the concert market is driving overall growth in the sector, but the grassroots venues are closing regularly and struggling to make ends meet. The grassroots venues don’t only give artists opportunities, they provide jobs for sound engineers, bookers, promoters and more. Live music is an ecosystem, so whose job is it to support the grassroots?

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